STREAM: St. Vincent’s Complete Live Set at Pitchfork Music Festival

St. Vincent’s self-titled fourth record is without a doubt in my top ten for the year. Her music is an idiosyncratic mix of post-Bowie stylized weirdness, syncopated, dance-able rhythms, and off-kilter guitar bravado. There is no one in her league. Her lyrics are intellectual and articulate with the requisite amount of oddness to match the music’s strict left-of-center bent. She’s clearly come into her own musically with this record, and her live show brings a theatrical element that elevates her bizarre stories and dystopian commentary. If watching her perform doesn’t make you want to buy her records, I can’t help you.

Comments Off on STREAM: St. Vincent’s Complete Live Set at Pitchfork Music FestivalPosted by Eric Greenwood: November 22nd, 2014@ 9:50 am
Tags: liveshow · stream


I’m always completely torn when a band I worship – or have worshiped – decides to reunite. Of course, there’s the selfish desire to relive the nostalgic emotions a certain record may have evoked during the formative teenage years. But then there’s the cynical desire to understand the invariably disappointing motivation, which always points to the potential pile of cash. The Pixies have reduced the reunion act to its basest form: an obvious (and unending) play on fans’ collective nostalgia followed by the dreaded yet inevitable failure of “new music.” When I read that Ride had decided to reunite, I felt the usual dose of inner conflict. On the one hand, Nowhere was a seminal record for me. I immersed myself in it, obsessing over every note for months and basking in the wash of glorious shoegaze feedback its majestic wall of noise created. I can return to it any time and still feel the same rush- a rare feat for any album to sustain that sort of impact, especially outside of the context of being 17. A Ride poster adorned my freshman dorm room, much to the bewilderment of my TLC-loving roommate. But decades have passed. I used to think rock n roll was a decidedly youthful endeavor. But, as I age, I am less strict in my cut off points for what is “too old” for rock n roll. Obviously, part of it stems from my reticence to accept my own age and relative stage in life. I used to be appalled by the fact that The Rolling Stones existed a day past 1975. Now, I find myself starting to justify their longevity, despite the obvious cash cow their “brand” generates. I once heard a guy say, “there’s nothing sadder than an old punk.” I get that. And my 19-year-old self would completely agree. I probably still agree. Certain genres do have a lifespan that has a definite expiration date. But being so cut and dry is probably missing the point. I’ve seen plenty of reunited bands over the years. Some lived up to the idealized potential while others were beyond embarrassing. If you can still pull it off without compromising the integrity of the music, I don’t see why you can’t forge on. But then the thought of watching a bunch of haggard ass has-beens trying to act like they’re 25 sounds like hell on Earth. Nostalgia and curiosity almost always win. So, I’m definitely erring on the side of excitement at the thought of Ride existing in any form in 2015. It’s just not without a healthy dose of trepidation.

Comments Off on REUNION: RidePosted by Eric Greenwood: November 22nd, 2014@ 8:56 am
Tags: commentary · news

STREAM: Chromatics “White Light”

Johnny Jewel has been unearthing a slew of Chromatics jams lately on his SoundCloud page. Not sure to what end but since it’s been a minute since the last Chromatics full length, these scraps are making up for lost time. “White Light” is brocade of wispy synths, over-reverbed guitar, and the requisite ethereal vocals.

Comments Off on STREAM: Chromatics “White Light”Posted by Eric Greenwood: November 21st, 2014@ 4:27 pm
Tags: stream

Always Pay Your Sound Guy: Courtney Love Edition

Unless you have God-given perfect pitch, singing live is no easy feat. So many variables with which to contend. If you can’t hear yourself, you’re totally effed. So, I feel slightly bad about posting this, but at the same time I love these isolated tracks when they show up on YouTube because, you know, trainwrecks and all that … can’t avert your eyes or ears in this case. Speaking of train wrecks, it’s Courtney Love. And, man, there’s not enough pitch shifting software in the world to fix this catastrophe. And then there’s the isolated guitar playing. Good God. This was posted out of spite by a sound man who was commissioned to record this particular show, but no one wanted to pay the invoice. So, he shared his recording. [via Buddyhead]

Comments Off on Always Pay Your Sound Guy: Courtney Love EditionPosted by Eric Greenwood: November 21st, 2014@ 3:36 pm
Tags: humor · stream · video

VIDEO: Iceage “Against the Moon”

I can’t be sure how deliberate it was, but Iceage‘s new sound is the smartest career move I’ve seen from a band in a long time. What makes it so utterly genius is the fact that it sounds so natural and uncontrived. Iceage could have easily fallen into the “bands that could have been” heap after two better than great post-punk records and no small amount of fanfare, but any more of the same would have pinned Iceage against either critical backlash or just general apathy (ask Interpol how that works). Plowing the Field of Love is the band’s best record, which I realize is a bold statement, but it allows Iceage room to breathe both musically and in its career development. Punk bands don’t normally think in terms of careers. It’s a burn out and die mentality. But this third record is the birth of a new band- one that understands what made it great to begin with and what makes it even even better now. Yes, there’s a drunken swagger that reeks of Nick Cave and the Bad Seeds, but it’s so brilliantly filtered through a (post) post-punk lens that it sounds completely new. This record will go down as one of the greats- not just of the year but of a career and possibly an era.

Comments Off on VIDEO: Iceage “Against the Moon”Posted by Eric Greenwood: November 21st, 2014@ 10:46 am
Tags: video